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"Castle Communications"
(note: this is a label released not only Progressive Rock)
The English firm "Castle Communications" came into being in the first half of the '80s and
on the top of its list was a reedition of the widely known works of the past as cheap as
possible. The policy of the management paid off very soon. CDs were priced at $ 5-7 at retail,
which was almost twice as low than the prices at other companies for, on the whole, the same
quality and cover. In addition, if many titles, for reedition of those the firm acquired
licenses, came out on the CD, the album of such remarkable bands as Hawkwind, Procol Harum, etc,
appeared on the new device thanks to "Castle Records" (only later the Americans from "One
Way" come up with their reedition of Hawkwind, but the price of a disc was really twice as
much, though this firm never did really remastering).
Having acquired the copyright for the reedition of the bands of the famous in '70s label
"Transatlantic", the firm issued on the CDs a whole series of the long forgotten Prog and Folk
works (mainly from Britain), that often are way better in quaity than the popular Steeleye
Span or Fairport Convention (not to mention the American performers of this style). But the main
acquisition from "Transatlantic" is the band Gryphon. The company has never been greedy and it
places 2 LP onto 1 CD, since the programs a bit within the 80-minutes frame of the compact disc,
unlike the Japanese with their starting prices of $ 22 (over there), that issued a small edition
of the discography of the great band for the first time. But the most surprising thing is the
rare audiophilic quality of the "Red Queen to Gryphon Three" (though, there's no indication at
remastering): with the exception of "Japan" I've never heard such a high-quality sound. You
can buy, for example, "Red Queen..." (a breathtaking masterpiece of Prog!) + "Raindance" (1975)
nicely packaged as 2 LP on 1 CD in Moscow for as little as $ 8-9, and you will see it.
Another example. The American "Warner Brothers", that holds the copyritght for Black Sabbath
in the New World, still hasn't found time to remaster their works, much less improve the modest
booklets. "Castle", however, has owned since 1995 the copyright for the edition and reedition
of the complete production of the legendary band in Europe from their debut till and including
"The Eternal Idol" of 1987 (untill the Sabbathers gave up their "Gimcastle LTD" and went over to
major American division of EMI-IRS with their well-known pressure on the creative process, which is
the case with all the "majors"). By the way, Geezer with his project, bed up with the demands
of the label being yet in Black Sabbath (1992-1994), went over to "Castle" actually, where such
Titans as Yes, Kansas, Marillion have also found a good haven (Marillion, unlike others, is
apparently in deep creative crisis). Even Helloween, ousted from a "major", has virtually
restored the style of the late '80s that made them famous. What's more, their album of 1996
simply bombed the metal charts out (though, the album is way fuller of quality than previous
two!) and brought in by this even a better reputation for its new "home", along with a high
profit.
It's not clear, why Black Sabbath don't come here in the wake of Geezer, keeping in mind that
the products of "Castle" are issued and distributed in the USA by "TVT", a respected label there.
And how well the firm issued the whole legacy of the band! The albums of an excellent remastering
quality (with the exception of the last song on "Sabbath Bloody Sabbath") are backed by just posh
booklets with numerous rare photos and detailed annotation on the band of the usual white field.
Last not least, the price is only & 8 for an analog remastering (wow! it's better than a digital
one!) from the original master-tape. While a common unremastered US CD costs & 12 and over. Those
who criticize "Castle" amaze me. Gone is the time of a less than perfect audio sound. And now the
company has a net of its divisions at hand: "Essential", "Raw Power", "50/50" and some others,
which is generally a privilege of the "major" labels. And the latest Black Sabbath album is
issued by not IRS this time, but again by a major label "Sony Music".
Better and cheaper than any other competitor also the legacy of ELP was produced by "Castle":
remastered, with a colourful bottom and even with the texts of "Brain Salad Surgery"(has anyone
ever seen the texts of the best early works of the band, not counting of very mediocre reedition
made by "Polygram" many years ago?). Besides the mentioned bands, most works of Nazareth, Uriah
Heep, Procol Harum and others have been reissued, always with analog remastering. Therefore,
there is the firm available for us that reissues an excellent works of Progressive and
Proto-Progressive Rock, that are loved so much, as well as rare amazing masterpieces such as
Gryphon's "Red Queen...". And it's a pity, that the copyright for Manfred Mann's (EarthBand) was
intercepted an unknown, but truly awful label "Cohesion", the name sounds mean, especially
when listening to their materials. So, all told, the products of "Castle Communications" are
a real good bargain, at the same time they provide an excellent sound for you to enjoy (just
don't forget about the Gryphon's third album).
January, 1999
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